Stories appearing in WPO's 125th Anniversary Edition...
Arrows...How it came to be...

While the crowd yells "Go Arrows'" at Watertown High School athletic events, many taking up the call may have no idea how the Arrow name originated.

Prior to having an official name, the football team had a variety of titles. The most frequently used were "the purple and golders," the "old maroon and gold," and the "Roesmen." The latter was for football coach Harry E. Roese who had originated Ki-Yi Day two years earlier.

In 1926, a Ki-Yi Day float was sponsored about an Indian legend which supposedly occurred at Lake Kampeska. The legend was written by Watertownian Gen. M.W Sheafe about a romance between a Sioux chief's daughter and a young Pawnee brave during a period of Sioux-Pawnee hostilities. The events are supposed to have taken place on the shores of Lake Kampeska prior to the area's settlement.

The float won the best float award and helped to inspire the team name. According to the Public Opinion on Nov. 11,1926, the Watertown High School student body officially "christened" the football team the "Arrows" at a convention the preceding day. Donna Burt, a student, read the legend (the predecessor of today's Ki-Yi legend) during the christening ceremony. The name stuck and quickly spread to the other athletic teams at the high school.

The Legend...

"Elaborately decorated floats, a score of automobiles gayly bedecked in purple and gold, two bands, groups of colorfully costumed Indians dancing and shouting at the top of their voices, horseback riders, clowns, hoboes beyond count, a bicycle brigade Hashing school colors and hundreds of marching school children passed along thronged streets at 1:30 this afternoon." (Public Opinion, Oct. 25,1924)

Such was the spectacle that greeted observers of Watertown's first Ki-Yi Day festivities. Since that flamboyant beginning Ki-Yi Day has become even more elaborate and one of the most unique homecoming celebrations in the nation. The idea for Ki-Yi Day came from football coach Harry Roese, who wanted to drum up support and enthusiasm for his team's toughest game of the season. Watertown was going to try to end a seven year losing string to Brookings High School- The game would knock one of the teams out of contention for the state championship.

Roese introduced the idea to the high school students, who approved it on Oct. 16 at a mass meeting. The idea was so well received that nearly everyone in the city became involved the Boy Scouts, each of the six grade schools and downtown merchants. Elaborate preparations, under Roese's direction, began immediately for the mass rally and two parades which were to precede the game. The high school kicked off the festivities on Wednesday, Oct. 22, with a convocation at which a "Big Chief" and "Indian Princess" were elected by the student body. The two were to represent the high school spirit, and preside over the celebration.
The Legend cont'd...

Ethel Lawrence was the first Indian Princess and Clayton Doyle was named "Big Chief."

With the slogan "Beat Brookings" on everyone's lips, "one of the best costumed spectacles ever presented by the schools in Watertown" marked the beginning of Ki-Yi Day. After the parade, hundreds of people jammed Fletcher Field to see Watertown topple Brookings 12-0.

Ki-Yi Day followed the same pattern for several years. But in 1939 a new touch was added — a touch which would set off Ki-Yi Day from any other homecom­ing.

In 1939, Florence Bruhn was in her first year as an art instructor at the high school. She was asked by Principal Dwight D. Miller to come up with an original way the school could present the homecoming couple. "When you ask yourself what can you use with a word like 'Ki-Yi,' the answer, of course, is something to do with Indians," Miss Bruhn recalled. "What else could it be? So I tried to come up with an idea and invented these two tribes." Those two tribes are the Kione (pronounced ki-OWE-knee) and the Yiwawa. Represented by the school colors of purple and gold, respectively the tribes provide the basis of a legend which has become a Ki-Yi landmark.

In the legend, the two tribes meet on the shores of Lake Kampeaka, or "the lake of the shining shells," as the atory refers to it- The tribes have differences, but a council is held in which the differences are reconciled. As a result, the tribes form one tribe, the Ki-Yi, and select new leaders.
"That's the basis of the story so it was a matter of bringing the two tribes together and having an election," she said. The new leaders are represented by the Chieftain and Princess elected by the student body. New elements are added to the story every year, usually reflecting important events. For example, during the 1976 Ki-Yi Legend, remarks were added reflecting on the nation's bicentennial. Now nearly 60 years old, many of the problems with the presentation have been worked out. Several obstacles were presented over the years.
"That first year was rugged because we had no auditorium then, so we had it on the football field and it was terrible out there," Bruhn recalled. "We gathered up old Camp Fire Girl outfits for the girls to wear and then we pasted fringes on the pants for the boys.
Several script changes also had to be made over the years. One such change was the introduc­tion of the "Chief of Arrows," who is elected by the football team. "The Chieftain invariably was a football player for a while, but we had to change it," according to Bruhn. "That was because the royalty had to show up for the home coming game dressed in their Indian costumes, and this made it hard for the football player to go and change back and forth into his uniform."

Florence Bruhn produced the Ki-Yi Legend each year from 1939 to 1976... Back to Florence Bruhn

Celebrity & his Band visits Watertown...
(Oct. 26, 1926)

Watertown's Peck's Band was rightly regarded as one of the top musical organiza­tions in the country But there was one band in the country no other band, not even Peck's could compare to.....
That being the famous band of... John Philip Sousa.

Watertown and area residents got the oppor­tunity to hear Sousa and his band in October 1926, thanks to the work of Peck's Band, which organized the event. In fact, the day was pro­claimed "Sousa Day" by Mayor.D.C. Noonan.

The audiences at the two Sousa performances were left in awe. The only description which does justice to the con­certs is the review pub­lished by the Public Opinion, believed to have been written by Will Peck, due to the musical descriptions.

"John Philip Sous a's most famous composi­tion, his internationally know 'Stars and Stripes Forever,' brought the greatest thrill to the audience last night (Oct. 25) when the band mas­ter and his 80 musicians appeared here in a con­cert at the Methodist Church under the aus­pices of Peck's Band. Sousa's band played to a capacity house, scores in the audience coming from out of town, many having come long distances to enjoy the musical treat.

"Stars and Stripes Forever,' played as an encore, was greeted with enthusiastic applause as the instruments swung into the march familiar to every American, and the hearers' approval was voiced with deafen­ing handclapping as the last measure died out. It is well remembered as the greatest march ever written.
"Sousa, always a favorite with his audi­ences, reached the hearts of Watertown music lovers quickly last night. His perfect direction and his char­acteristic soldierly method of conducting his musical group pleased those who watched, almost equally as well as the music itself."



John Philip Sousa in 1926



John Philip Sousa composed "The Stars and Stripes Forever" on Christmas Day, 1896. It is the official march of the United States (U.S. Code Title 36, Chapter 3). How the song was born ... In late 1896, Sousa and his wife took a vacation to Europe-While there, Sousa received word that the manager of the Sousa Band, David Blakeiy, had died suddenly The band was scheduled to begin another cross-country tour, and Sousa knew he had return to America to take over the band's business affairs. Sousa tells the story in his autobiog­raphy "Marching Along,"

"Here came one of the most vivid incidents of my career. As the vessel (the Teutonic) steamed out of the harbor I was pacing on the deck, absorbed in thoughts of my manager's death and the many duties and decisions which awaited me m New York. Suddenly, I began to sense a rhythmic beat of a band play­ing within my brain. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echo­ing the most distinct melody I did not transfer a note of that music to paper while I was on the steamer, but when we reached shore, I set down the measures that ray brain-band had been playing for me, and not a note of it has ever changed."


   

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